Sonoluma’s first edition explored the meeting point of electronic music and immersive art, creating a platform for experimentation.
From bookings and logistics to creative steering, I wore a lot of hats on this project — making sure the debut didn’t just happen, but felt intentional and close to the artistic vision we had in mind.
.gif)
I founded Overtone to give electronic music a home that goes beyond club nights, combining sound, visuals, and collective energy.
My role spans project management, logistics, and creative coordination, ensuring the space runs smoothly while giving artists room to experiment and audiences a different way to experience music.
.gif)
As my first venture into event organizing, I created an intimate rooftop festival at Refshaleøen that blended live music, DJ sets, and the harbor’s sunset atmosphere.
Both editions sold out, combining careful planning with a unique setting to deliver a euphoric and memorable community experience.
I composed a 15-minute soundscape to accompany B612’s laser-and-water installation, using hydrophone recordings and digital processing to recreate the sensation of being underwater.
The piece unfolded gradually, blending fragility with intensity to mirror the phenomenon’s light refractions in sound.
“For me, leading cultural projects isn’t about keeping chaos away, it’s about shaping it into something intentional. I like the moment where ideas, people, and limits collide, and out of that mix, something collective and alive takes form”
